Mandoline - Medium Voice and Piano - Claude Debussy (EAN13 : ), Sheet Music Place
Carols for Solo Singers: Low Voice. This superb collection of favorite carols includes 10 festive arrangements, appropriate for many occasions and This superb collection of favorite carols includes 10 festive arrangements, appropriate for many occasions and events during the holidays. Appropriate for school or church use. You'll want both voicings!
View Product. Concerto No. One of the leading composers of instrumental music of the early Romantic period, Louis Spohr One of the leading composers of instrumental music of the early Romantic period, Louis Spohr was a violinist, composer, and conductor.
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In addition to symphonic works, string quartets, and other solo and chamber music, he composed operas, operettas, and songs. Gateway to French M? As part of a series of coordinated diction manuals and anthologies, Gateway to French Diction As part of a series of coordinated diction manuals and anthologies, Gateway to French Diction helps students to move beyond diction to clear understanding and authentic style. Thomas Hampson says the series, not only achieves an excellent study of the Gateway to French Melodies: High Voice.
Twenty great composers of Italian art songs from Scarlatti to Puccini are represented in songs Twenty great composers of Italian art songs from Scarlatti to Puccini are represented in songs that have been chosen for their appeal to young singers.
Musical excerpts studied in Gateway to Italian Diction appear as complete scores. The comb binding The tuba has the chance at some melody in this arrangement with the other voices The tuba has the chance at some melody in this arrangement with the other voices accompanying.
Cup mutes are used in the trumpets to create a new texture in Italian Arias of the Baroque and Classical Eras:. With a deep, vibrant low and with high notes like a soprano but no break in between , she makes it clear that Rosina, for example, is a lady to be reckoned with, while she manages to jump the coloratura hurdles with ease and add a fair share of stylish ornaments. Her fast fioritura is so startlingly accurate that I had to play some passages over to be sure I really did hear all those notes in that space of time. When it comes to Donizetti, she renders the drinking song from Lucrezia Borgia with a verve and variety of tonal colors that evoke oldtime mezzos who recorded this showpiece: Sigrid Onegin and Ernestine Schumann-Heink.
Beautiful singing, indeed. Coloratura display is her strong point, and in the glittery Rossini showpieces from Cenerentola , Semiramide , The Barber of Seville and others, she lets fly with plenty of vocal pyrotechnics.
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Here it is, on Virgin this time, entirely dedicated to Rossini and Donizetti, two composers whom the young America mezzo-soprano has regularly served since her first appearances onstage. Vivica Genaux sings arias that are well-known, but ideal for judging the quality of a voice. And the voice of this young mezzo will surely seduce you in selections from operas by Donizetti and Rossini, particularly in La Cenerentola.
This year, she devotes herself to two masters of bel canto, Rossini and Donizetti.