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All Languages. More filters. Sort order. Lesley rated it it was amazing Aug 14, Kate Dunn rated it it was amazing Jul 24, Emily rated it really liked it Feb 27, Steve rated it it was amazing Oct 15, We cover the state as a staff and value the working relationships, talents, points of view and expertise from our many freelance contributors. I look forward to working with you to explore the state of Colorado.

From the prairies to the mountains to the western slope, we take our readers on unforgettable trips through the Centennial State. Stories We Publish In each issue, we publish stories that span every region of the state with special attention to its wonderfully diverse environments, cultures and communities.

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We are not a travel magazine, a history magazine, a nature magazine or a food magazine, but we do all of that and more — sometimes within the same story. Story topics run the gamut: colorful characters, communities, history, food, travel, nature, wildlife, photography, adventure, poetry, art literature and photo essays. Our stories are timeless, beautiful and entertaining. Our audience of subscribers and newsstand readers are Coloradans and fans of Colorado who want to know and understand their state.

We plan issues one year in advance. Deadline for accepted freelance text and photos is three months before publication date. TEXT Above all, our stories are entertaining.


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We value vivid storytelling, lively anecdotes and factual accuracy. We work with writers who are able to infuse fun, adventure, human emotion, drama and an attitude of wonderment in their words.


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We use anecdote-based storytelling: We tell stories with stories. Please read our magazine to see the technique of anecdote-based storytelling. Third-person is the standard point of view in our writing, though we do occasionally publish first-person stories. We appreciate brevity and concise use of words. If you are a writer planning to query, think through the photography or art with suggestions on how the visual story could be told and who could tell it.

We do have staff photographers and many talented freelancers who can help, including graphic artists. Our poetry submission guidelines are very open, though we look for poems that reveal the many facets of life in Colorado or are about topics of interest to Coloradans. There is also no limit to the number of poems needed per submission; it could be from one to ten or more.

Poems are usually printed to coincide with a theme announced in previous issues. Original work is preferred, though occasionally work published previously in anthologies, books or other sources may be considered. Please remember to include your name and contact information including postal mailing address. Published poets are sent a complimentary copy of the magazine showcasing their work. That word sums it up.

We accept stock photography and also make full feature-story assignments. Photographers should strive to communicate a sense of place in photos submitted to the magazine. If you are working on a major feature story for us, we appreciate seeing all of your images, rather than a small selection. We sometimes see diamonds you might have overlooked. If you are preparing a feature query for us, think through the text and suggest how and who might accomplish that component of the story.

Options include photographer written, staff written or freelance written. In some cases, we can interview you as the photographer and re-cast your words into a text story. Pictures that are exposed in exemplary lighting conditions, are designed with compositions that are pleasing to the eye and that depict impactful moments in time have an increased chance of being published in Colorado Life Magazine. To achieve images that stand out, we recommend photographers utilize these techniques:. Image Specifications The most common problems with digital files we receive are small size and poor scans.

Remember, we may want to blow up your photo to a full page or more — give us the resolution we need to really show off your work. Generally, digital images of at least 6 megapixels are sufficient. Photographers need NOT modify the color balance. Do not crop, clone, sharpen or otherwise manipulate submitted images from their original, captured state. Images will be corrected by magazine staff based on the specifications required by our printer.

We prefer to see an entire photo shoot, rather than a small hand-selected number of photos. Low-resolution JPG images are acceptable for review purposes. This award is split into two separate categories — a prize for the best published adventure novel and a prize for the best unpublished manuscript by a debut author submitted for consideration. Seeking submissions of a literary nature that are published online or in electronic form, in fiction and non-fiction categories.

The Nelligan Prize is offered annually. The competition opens on 1st January and the closing date for entering poems is 31st March. All shortlisted and winning poems will be published in our Anthology, along with selected poems by invited poets. Poems may be of any length and on any subject. They should not have been published before, online or in print. The KYD Unpublished Manuscript Award is open to writers of adult fiction and adult narrative non-fiction, and seeks to support writers in the development of their unpublished manuscripts.

Now in its 17th year, this contest seeks today's best humor poems. No fee to enter. Submit published or unpublished work.

Freelancing : Adventures of a Poet by Hugo Williams (1995, Hardcover)

Entry is open to anyone in the world who is writing in English. Australian residents over 18 years of age are invited to submit their individual, original works in the following categories: traditional verse, free verse, and short story. The Silver Gull Award recognises an outstanding play by a local writer that explores philosophical or political themes.

The aim of the award is to encourage interest in theatre that both offers insight and encourages action. The Copyright Agency's Publisher Fellowships provide leadership, professional development, and career enhancing opportunities for people working in the Australian publishing industry. The Visiting Fellowship offers writers and researchers an opportunity to pursue a creative project in Paris for a month or longer while participating actively in the life of the American Library.

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Fellowship applicants should be working on a book project, fiction or non-fiction, or a feature-length documentary film. We are not accepting poetry projects at this time. The program accepts artists working in a wide range of disciplines, but we are best able to accommodate visual artists and writers. Artistic excellence is the primary criteria for acceptance as a Lighthouse Works fellow.

Freelancing. Adventures of a Poet.

The WPI fellowship is offered to 10 journalists from countries around the world. It provides immersion into the governance, politics, business, media, journalistic ethics and culture of the United States for experienced international journalists, through a demanding schedule of study, travel and interviews throughout the country. Early-career nonfiction writers who want to focus on a story that uncovers truths about the human condition can apply for funding.

The Arthur L. Carter Journalism Institute, space allowing. Future News Worldwide is a partnership programme between the British Council and some of the world's leading media organisations which identifies, trains and connects the next generation of global journalists. The residency period in spring is two months, May—June. One applicant will be selected.

The Kerouac Project provides four residencies a year to writers of any stripe or age, living anywhere in the world. Each residency consists of approximately a three month stay in the cottage where Jack Kerouac wrote his novel Dharma Bums.

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The KSP Writers' Centre is proud to support the development of literary work by hosting a number of annual residencies for writers. Each year, we offer placements in the categories of NextGen; Emerging; and Established.