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Pics of hot girls naked. True college erotic stories. Young sissy cum mouth gay. Japanese girls naked in public. Free gay porn pocket wank. Spiderman fucks the black widow porn. Under the lights, degrees. Amanda found out that Kendall's co-anchor, Brian, secretly likes to be humiliated and uses a dial-a-mistress service on his time off. I show up in his dressing room in disguise and torture him for a hidden camera. Of course, I will use the footage to blackmail him and ensure my rise to power!!!

Oh brother. Actually, Brian is a very annoying character, which the actor plays a little too convinc- ingly, so this might not be difficult. One of my tormenting devices: Listerine mouthwash. April 10th This is the moment I've been nervous about since I was cast: performing my love-making scene. Amanda seduces a coconspirator to keep him under her hypnotic spell. We have to get passionate on the console in the station's editing room.

Boy, that's really comfort- able — not! But by the time we finished simulating our mutual affection I felt satisfied. I thought we really pulled it off — so to speak. When I came back down to earth, I got up and reached for my robe and the make-up artist started laughing uncontrollably. I asked her, "What could you possibly be laughing at?! Sauer called me at home: "We're not shooting any of your scenes today. I'm just getting into the swing of my character and it's over already. Now I know how Roger Corman's actresses must have felt.

We're finishing up the big finale scene which takes place during the station's annual tele- thon. I'm going to pop in my extortion tape of Brian in a dog collar and briefs, which will inter- rupt the broadcast and air in millions of homes! Arrow execs and a Scarlet Street contributor are among the impressive cast of extras for the telethon sequence. This is the day Amanda has been waiting for! Key personnel at the station will be going down, or up as it were! Bombs, blackmail and babes are the three B's driving this scene.

The director instructs me to embel- lish my close-up with a few mania- cal laughs, a couple of pleased looks. It was a very different char- acter for me, and the quickest shooting I've ever seen, but I truly enjoyed working with Amy, Ernie and everyone. I am an adult magazine model and a feature entertainer at gentlemen's clubs around the country. I have ap- peared in all of your favorite men's magazines, but before we get into that let me tell you a little about myself.

I was born in Montana, and at the age of seventeen I moved to Seattle to attend the University of Wash- ington to pursue a degree in zool- ogy. Like most people, I needed to work to help put myself through school. I first started working as a daycare assistant, but soon real- ized the money was just not suffi- cient to put myself through college. This was the first time I had ever been inside a club like this, and what I saw impressed me.

It was really nice inside and very clean. The girls and the management were very nice and helpful but, most of all, the money was there. The very next day my name was on the schedule. I was both excited and nervous at the same time. I couldn't wait to take the stage, and once I got over the butterflies I noticed that I really enjoyed being the center of attention.

I had been working a few nights a week for about three months, and a photographer approached me, wanting to send some pictures of me to PLAYBOY to see what they thought. Three weeks later I was on a plane to L. It was almost overwhelm- ing thinking that I, as an 1 8 year old, was there in that lifestyle. After a couple of weeks of exten- sive photo shoots, the staff ap- proached and asked if I was a dancer. In case you don't know it, if you print you in their magazine unless you have special arrangements.

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I continued to dance and go to school for the next year. Again club, saying that I should go back to L. I did, and several of the magazines approved me. Doing my first photo shoot was really exciting; the thought of taking all of my clothes off for the camera really turned me on.

I had to be in for make-up at 7 a. It is very nice having so many people pampering you: the make-up artist, the hair professional and the stylist who selects all the clothes and jewelry for the shoot. Once make-up and the set are ready, then it is time to get started. A day of modeling is very demand- ing, but it can also be very excit- ing. I enjoy the feel of the sexy lingerie underneath my clothes, the fan blowing my hair. Soon the camera starts clicking, the flashes are going off and it is time for me to start doing my thing.

Most of the time I get to look right in the camera and the best way for me to get into it is to think about all of the guys who are going to be looking at my pictures. Slowly the clothes start coming off little by little, just teasing the camera as I go, and before I know it all my clothes are on the floor and I'm doing all my favorite poses. The next thing I know, it's 5 o'clock and we have finished.

This goes on sometimes up to three or four days for a really good layout, going through several outfits and different locations. I think the most exciting sets are the ones out of doors. Just being outside and being naked is really a turn-on. Talking about photo shoots that are a turn-on, I must mention the ones with another girl or even two other girls.

Those can be very exciting. When the camera starts, you hold each other close, then it's time to slowly take each other's clothes off piece by piece, caressing her ever so softly. Sometimes it gets really wild. They may have you get each other really wet. I mean with water or something. You may do a cooking scene where you end up rolling around on the table coated in flour. Whatever the set may be, I find that I enjoy doing shoots with other girls. It's not that I'm actually gay. I just think the female body is a beautiful thing.

It only took about three months for the first layout to hit the stands. Soon a feature entertainer agency, Continental, contacted me and wanted to put me on the road as a feature. I started working clubs all over the country as a feature.

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They wanted me to be their fea- tured girl of the year where they did a full layout of me every month. This continued for the next three years. Some of you guys may recognize me as "Nancy. Last year it was forty-nine weeks out of the year. I really enjoy traveling all over the country and dancing at all the different clubs. It gives me a chance to meet a lot of the guys that have seen my pictures in their magazines. Most of the guys are really nice. It's fun to watch the look on their faces when they get to meet me in person.

It gives them a chance to see what I'm really like I go to a different club every week. I usually do twenty-four shows a week. There are four shows a day. My sets are really exciting, a lot of high-energy dancing combined with some pyrotechnics to get things started with a bang. Costumes are an important part of the show. I like mine to be very flashy, a lot of sequins and stones, designed with a lot of layers: plenty of things to take off. You better pay close attention, because it doesn't take me long to take them all off. Don't worry guys there is plenty of hot sexy stuff included.

I give everyone a chance to go home with some- thing from my stage performances. I really enjoy performing on stage. I'm the center of attention, some- times for up to two or three hun- dred guys. I find it really erotic dancing around, taking control of all the guys one by one.

I use eye- to-eye contact to really get the attention of each and every guy close enough to look into my deep green eyes. After each show I set up all my memorabilia somewhere in the club. Everyone has a chance to come over, and I will autograph any of their pictures I've given away on stage, or they can just say, "Hi.

I have personal- ized Polaroids, posters, tee-shirts, magazines, hats and of course my fan club information. They also featured me in the October edition of their magazine. I had a write-and-response column and a full layout each month as "Nancy. Then I would like to settle down a little and do something I enjoy, like working in a zoo. I really love animals. I bet I've been to almost every zoo in the country. If you guys really want to know the way to my heart, it's through a zoo. The elephants and the penguins are my favorites. Any of my loyal fans may know that I have a tattoo of a little pink elephant on the inside of my right ankle.

Well, I guess I've told you quite a lot about myself. I guess the only thing left is for you guys to come in and visit me at one of the clubs across the country. You can find my fan club address at the end of this article. You can write to find out more about me and my sched- ule and how to become a member yourself. Remember, I answer all of my fan club members person- ally, and you will receive a per sonal phone number to leave messages and to keep up with my itinerary.

I just returned from L. Bye for now, keep in touch and see you in the clubs. Part of our motivation was that it gives us a wonderful excuse to print more of the kinds of photos that our critics complain about and our fans can't get enough of. And it's also a great opportunity to feature some marvelous Scream Queens of the past, present and future. Russo: Your editorial in issue 7 made me question why SQI'srivals are concerned about the propriety of using the term Scream Queen and publishing nude or partially nude pictures of them.

I have to wonder if they have any sense of what horror stories and horror movies are really about. Unless they are being prudish, it certainly sounds like they are recent arrivals to the horror scene. Sex, fantasy, and horror have been tied together in the horror litera- ture for a long, long time. One of the first horror novels written, THE MONK, had a scene where a nun wakes up naked on a stone coffin lid with a skull on her chest. There are a number of references to what horrors the monks of this particular monastery are doing. This was written in an 1 8th cen- tury novel.

The most recent film version of DRACULA is a good example of what Stoker was hinting at within his book, and might actually have written if the literature of his day was not heavily censored. Today, there is a very close connection between sex and horror. You only need to read the four-volume HOT BLOOD series of horror short stories or glance at the covers of horror novels with their scantily clad women to see how closely the two are intertwined.

I wonder how many readers of SQI and the "rival" mags grew up with the horror films of the 50s? I seem to recall that many had a scene where the female lead put on a filmy white nightgown before going to bed. Later she stood or walked by a moonlit window so that the light could shine through her gown and give us a tantalizing view of her charms. Let's not forget the ballistic missile nose cone bras that many horror movie heroines wore.

Kinda strange that up to the release date of FCW that Frankenstein had only been able to create monsters and then he was able to create women. Perhaps somebody at Hammer Films had learned something about the selling power of sex. I could list any number of movies to prove my point. Sex and horror were put together intentionally, and the press release photos and movie posters showed what the times allowed. The amount of cleavage, tiny bikini underwear, and nudity increased as times changed.

In early films, nude heroines re- mained beneath the covers or just below the surface of the water. As times changed, they came out of hiding and showed what up till then we had only been imagining.

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While the 60s magazines may not have been permitted to show full frontal nudity, they showed what they could. I suspect that they would have showed more if they could. If magazines couldn't show nudity, they could and did show women with low-cut gowns, skimpy bathing suits, and towels placed strategically to reveal and conceal at the same time. Scream Queens is just a label. It serves the purpose of letting us know what we can expect to see. You might not recognize the names of Linnea, Brinke and Michelle if you are not a dyed in the wool horror fan, but if you see the label Scream Queens you know you are not going to a Disney picture.

While Scream Queens may be a relatively new title, the female horror stars of the 50s, 60s, 70s and 80s, had their fans and I'm sure that they had fan clubs. The admiration was there. We just called them something different. I am always amazed by people who complain about the magazines that they read, but never stop reading them. If they are offended by nudity, they should not pick up the magazine. The cover usually provides a clue to the contents of the magazine, so they can't say that they didn't know what was inside.

If people don't like the content of a magazine, they should stop buying it. When enough people stop buying the magazine, the editor will get the hint and change the format. As SQI is still being bought by many people, I suspect that nudity is acceptable to them and they don't want the format of the magazine to change. If SQI's rivals don't want to publish nude or partially nude pictures of women in horror films, that is their choice. There are certainly lots of films where the female leads never show any skin. Alternatively, they can write about films that do show nudity and use promo- tional photos where the people are dressed.

I disagree with their attitude and their attempt to make everyone conform with their views. They are mistaken if they don't think sex and nudity aren't part of horror, modern or otherwise. Writing about horror and leaving out all the sex and nudity is akin to the drama critic reviewing a horror movie and complaining that the acting is bad.

The writer and the critic are missing the point: the sex and nudity set you up for the blood and gore. The long wait is over! The all-new edition of the Monster Magazine and Fanzine Collector's Guide is available now, and it's sure to blow the mold off a few coffins! You won't want to be without this detailed guide, packed with more than two thousand detailed photos of nearly titles. To order your copy, call today - the first copies sold will be signed and numbered by publisher, Michael W. We gladly accept collector want lists - FAX Hart talks about how the character "Babylon" was born: "I was hang- ing out at Varla Vortex's pad flip- ping through her portfolio of bond- age designs when Babylon kicked me in the face.

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Kim lU Toni vs. Jennifer Send Check, M. Her screams came out gargled, she was choking on the blood, and Slayton kept on sawing. Back and forth, the blade going deeper. And deeper.

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Obviously a rigged machete blade with a retractable portion to simulate the blade going deeper. I'd seen Savini do the same trick one night on Letterman. Then Slayton hit bone. Annette Cage continued to scream and struggle, her eyes bulged and her legs kicked until her shoes were kicked off. Then just her bare feet kicked the floor and into ' the side of Danny's desk. Danny hadn't said a word since his initial outburst, which seemed like an hour ago but was less than a minute, and he sat down heavily when the loud crack of Ms. Cage's neck bone being broken in two filled the office.

He was terribly pale, in shock. Herbert Slayton stepped back and the head of Ms. Cage lolled to one side, then the other, then fell from the neck. It was still attached to the bloody sinews of muscles, but the weight of the head broke it free. The head rolled across the floor, almost as if it knew where it wanted to go, and stopped, face up. I felt my face flush and the bile rise in the back of my throat but I could not move. Danny was ghost white and I feared that he had had a stroke. It didn't look like he was breathing. My own breath was pushing out fast, a little too fast, and I started to realize I was hyperventilating.

He was smiling. He had pulled a handkerchief from his back pocket and was cleaning the bloody machete blade. Then I looked to the head on the floor before me. A face so pretty, so nicely shaped. Eyes so. They opened then and so did the bowed lips, and from the eyes a reflection of stark terror and from the lips that perfect scream. I nearly made it to the bathroom. Missed it by just a couple of feet. Instead I emptied my stomach in front of the door leading to Studio One. Numb, I returned to Danny's office, the 9mm I kept in my desk aimed in front of me on a shaky hand. I don't know if it was loaded or not but I grabbed it on my way back and I just hoped it would serve its purpose and hold off the psycho until the cops would arrive.

Never mind that I didn't think of calling them while I was in my office. That's not the point. In the movies I write, the cops always show up at the end. Maybe I've written so many crappy movies that now I act like a char- acter from one of them.

I couldn't hear anything as I entered Danny's office, with the exception of my own heartbeat pounding a danger- ous beat. Herbert Slayton was straddling Danny, practically sitting on his great gut, trying to revive him with smelling salts. Herbert occasion- ally slapped Danny's cheek with a bloodied hand. Annette Cage was sitting in the chair I had just seen her murdered in putting her shoes back on. Then she massaged the back of her neck as if she had suddenly just gotten a slight pain.

The fingers worked around the nape of her neck, gently rubbing out any pain and I saw no telltale signs of what had just gone on here. No sign other than a thin scab-like ring where the machete had cut through. Then, after a little more rubbing, it too was gone.

When she noticed me in the office she jumped up with a smile and came over to me. I dropped the gun to my side but tried to keep a distance. Danny stirred awake and screamed when he saw Herbert Slayton before him. I just really got into the part. So do I get the part or not? Reality had suddenly been yanked out from under me. I had too much proof around me to rule it all out as a dream.

I felt dizzy, winded, as if I had just been punched in the gut. Finally she spoke again. You guys still don't think I'm right for the part. The only other thing I know to do is to pull out my other two talents. D 68 Page Catalog! You've never seen a better selection anywhere! Vargas, Elvgren, Pichard and others. Or call and charge it! Hundreds of sexy, mature titles plus hundreds more classic and not-so-classic horror titles! This attractive binder contains the complete twenty-card mini sets of the aforementioned ladies, and also comes with a nine-card subset in which each card has a gold foil replica signature stamped across the front.

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Release date is January 31, Allow weeks for delivery. Name Address. And they're waiting for you!! Contains added is NOT a booties! Michelle Bauer stars as a cavewoman blasted into the twentieth century! Also starring Jerica Fox and Cierra Knight. Name I I Address. I City -State. Must be IS to order. Stars Caroll Baker. By contrast, she admits that the typical response from older women is somewhat less accepting: "oh, my God.

Never use that word. Vile, repulsive. I would faint if somebody said it to me". An affectionately disguised variant of 'cunt' is 'cunny', whose variants include 'cunnie', 'cunni', 'cunnyng', 'cunicle', 'conny', 'coney', 'conney', 'conie', and 'cunnikin'. Bunny Rogers wrote a poetry collection titled Cunny Poem in William Shakespeare hinted at this second meaning in Love's Labour's Lost , juxtaposing 'incony' with 'prick' 'penis' : "Let the mark have a prick in't [ Related are 'conyger' meaning 'warren' and also spelt 'conynger', from the Middle English 'conygere' , the Anglo-Latin 'coningera' and 'conigera', and the Latin 'cunicularium'.

The word also appears in Old French, as 'conniniere', 'coniniere', 'coniliere', and 'connilliere'. Perhaps in an effort to minimise the scurrilous impact of 'cunny', 'cony' was phased out of common usage and the meaning of 'rabbit' was extended to animals both young and old. Spanish and French provide strikingly similar examples: the French 'connil' 'rabbit' was phased out due to its proximity to 'con' 'cunt' , and replaced with the alternative 'lapin'. The Spanish 'conejo' means both 'rabbit' and 'cunt', and the similar Spanish term 'conejita' 'bunny girl' provides another link between the two elements.

The similarity of 'cony' to 'cunny' is echoed by the relationship between 'count' and 'cunt': "It is a likely speculation that the Norman French title 'Count' was abandoned in England in favour of the Germanic 'Earl' [ Indeed, the title 'count' is rendered in Gaelic as 'cunta'. The Gaelic 'cunta', with an acute accent over the 'u', means 'assistant. Keith Briggs cites place-name suffixes such as Le Cunte derived from 'count'.

As early as a direct and bawdy comparison between 'Earl' and 'Count' was made by Stephen Valenger:. The phonetic similarity of 'Count' to 'cunt' is so striking that accidental obscenities abound: Gordon Williams notes that, "[during] a Restoration performance of Romeo and Juliet [an actress] enter'd in a Hurry, Crying, O my Dear Count! She Inadvertently left out, O, in the pronuntiation of the Word Count [ For our losers: the chance to retype that sentence without the spelling mistake" Paul Wheeler, The programme has also used "bunch of cundurangos" as a pun on 'bunch of cunts'; John FD Northover, Linacre Lane cites 'Count Of Monte Cristo' as a Scouse insult, adding dryly: "The first word is often intentionally mispronounced" In the s, a sign in a Japanese railway station advertised 'Discunt Tickets', a misprint of 'Discount Tickets'; similarly, the menu for London restaurant Bengal City misprinted 'Discount' as 'Discocunt'.

Bangkok University's School of Accounting's logo replaces the 'o' of 'Accounting' with a graphic representing a ship, rendering it as 'Acc unting'. Like 'count', 'countdown' also has comic potential if its 'o' is removed, as we shall see later. This last example, 'Charlie Hunt', is especially significant, as its abbreviated form 'Charlie' has entered the common vernacular as merely a term of mild reproach. The expression 'proper Charlie', for example, is used frequently without causing offence, as its connection to 'cunt' has been forgotten.

Although 'Charlie Hunt' is the most often cited origin of the abbreviation 'Charlie', another possible source is 'Charlie Ronce', which is rhyming slang for 'ponce'. It has been abbreviated to 'grumble', though this abbreviation is frequently a reference to pornography, so-called because heterosexual porn includes images of vaginas 'grumble and grunts'.

In this pornographic sense, 'grumble' has been extended to form 'grumbled' 'caught in the act of masturbation', a pun on 'rumbled' , 'grumblehound' 'constant seeker of porn' , 'grummer' 'porn magazines' , 'jumble grumble' and 'grumble sale' 'cheap pornography' , 'grumbleweed' 'weak from excessive masturbation' , 'grumbelows' 'sex shop' , 'grumbler' 'pornography vendor' , and 'grumbilical chord' 'connecting lead for porn TV channels', a pun on 'umbilical chord'. It is from this that the mild insult 'berk' also 'birk', 'burk', and the Australian 'burke' is abbreviated, thus, as Jonathon Green explains, "when [people] say 'You're a right berk', what they're actually saying is 'You're a right cunt', which is much more obscene" Kerry Richardson, In this sense, 'berk' is similar to 'Charlie', as both are common, mild insults whose origins as rhyming slang for 'cunt' have been forgotten.

In a spoof article supposedly written by Boris Johnson, Private Eye defined "Berkely Hunt" a mis-spelling of either 'Berkeley Hunt' or 'Berkley Hunt' as "Darius Guppy", in a reference to Johnson's association with Guppy tarnishing his public image; the magazine also combined 'Berkeley Hunt' and 'cunning stunts' to create the headline Berkeley Stunts ; later that year, it punned on the name Anton du Beke with "Anton Du Berk" ; and it also punned on Sally Bercow's surname: "don't make your husband look like a berc!

Other Cockney rhyming slang 'cunt' euphemisms are 'all quiet' from All Quiet On The Western Front ; extended to 'all quiet on the breast an' cunt' , 'eyes front', 'Grannie Grunt', 'groan and grunt', 'gasp and grunt', 'growl and grunt', 'sharp and blunt', and 'National Front'. The Cockney pronunciation of 'cunt' was evocatively captured by Clark Collis "You cahnt! The Yorkshire equivalent is "coont" Peter Silverton, , and in Jamaican patois it is "cohnnnt" Marlon James, In backslang, 'cunt' is 'tenuc' and 'teenuc' the extra letters being added to facilitate pronunciation , and 'cunt' in pig Latin is 'untcay'.

A word with so many hard consonants in it in short a short time: un, tuh, cuh". A feminist pressure-group called 'Cunst', an anagram of 'cunts' and a pun on 'kunst' German for 'art' campaigned in against male domination of the Turner Prize. In a Top Gear episode Phil Churchward, , Jeremy Clarkson noted that there were "a lot of anagrams going on here" on various car registration plates, followed by a shot of his own plate, CTU N. The euphemism 'see you next Tuesday' utilises each letter of 'cunt' individually, with 'see you' sounding like 'c u', and 'n t' being the respective initial letters of 'next' and 'Tuesday'.

Time Out magazine created posters with the slogan 'See you next Tuesday' in See You Next Tuesday is also the title of a play adapted from the film Le Diner De Cons , thus both the play and the film have 'cunt'-related titles. Similar to 'see you next Tuesday' is "see you in Toledo" Brooke Gladstone, , though in this case the letter 'n' is provided by a contraction of 'in'. This spoof organisation placed a classified advertisement in the Kuwait Times : "Teacher? New to Kuwait? Then you need the Kuwait Union for New Teachers. They have also printed the text onto a t-shirt.

Similarly, embedded within an article by Sally Vincent is the line "Point A moved to point B to point C until" , which is arguably an intentional reference. There is no ambiguity whatsoever surrounding "-cunthorpe", a deliberate truncation of the Humberside town Scunthorpe on the back cover of a book by Stephen Fry and Hugh Laurie Likewise, when a knight in Thomas Heywood's Wisewomen Of Hogsdon declares, in Latin, "Nobis ut carmine dicunt", he is described as "a beastly man" to highlight the embedded obscenity.

Mrs Roberts didn't like him, but that's 'cos she's a Contaminated water can really make you sick"; Trey Parker, and 'applicant' Dominic Brigstocke, :. As John Hamilton explains in an letter quoted by Linda Mugglestone , 'cunt' has "the same syllable as a contraction of Contra". Oz made a similar pun on 'conjugal': "Oh, a cuntjugal" Nick Gomez, Matthew Parris once called 'cunt' "a word beginning with 'c', which I couldn't possibly repeat" Rod Liddle, , and in keeping with this is the commonest 'cunt' euphemism: 'the c-word' not to be confused with 'crossword', which is sometimes abbreviated to 'c-word'.

Simon Carr reports that his children confuse 'the c-word' with "the K-word" He also quotes their confusion over 'cunt' itself: "Mummy, clint! That's a rude word, isn't it? Ruth Wajnryb writes "the 'SEE'-word" , to distinguish it from the hard 'c' sound of 'cunt'. If 'cunt' can be a 'c-word', can 'cock' be one, too? A surprisingly large number of these other words beginning with 'c' have also occasionally been called 'the c-word', usually for comic effect.

The following is a representative selection. No surprise, then, that he is a fan of the c-word. In fact, not only is Musk a regular player of the computer game known as Civilization , which is all about husbanding resources to build an epic human community, but that word peppers his public utterances" BBC World Service, ; "Catholicism: the c-word.

Not the c-word, a c-word" Ricky Gervais and Stephen Merchant, ; "They definitely had the c-word: they had chemistry" Katy Takatsuki, ; "two other C-words: Conscience and Cyclothymia" Alexandra Mullen, ; "[Christopher] Nolan's script, co-authored with his brother Jonathan, never deigns to use the c-word: Catwoman" Robbie Collin, ; "non-carcinogenic [ Uh oh, the other dreaded c-word.

Cut" The Sun , ; "the c-word: 'cuts'" Victoria Derbyshire [BBC Radio 5 Live], ; "another c-word: 'contextualise'" Dymphna Flynn, [a] ; "the c-word: 'compliance'" Dymphna Flynn, [b] ; "Clunge a slang word for female genitalia is the new C-word" Liz Hoggard, ; "try to avoid mentioning the crowd [because] they hate the C-word here" Charlie Wyett, ; "he was anxious to avoid the c-word: 'corporate'" Annie Dunkinson, ; "In went the c-word - c as in crisis" Catherine Donegan, ; Yesterday In Parliament quoted David Cameron saying "Why's he so chicken when it comes to the Greens?


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These are not conservatories" Jon Stock, ; "Could you make it more celebratory? Could you compromise? Hey, we're all guys here, I'll say it: cuckoo-head" Pam Cooke, ; 'championship': "Stevie Craigan is running scared of an ear-bashing from John Lambie for mentioning the 'C' word" Andy Devlin, ; 'crash': "We don't mention the C-word" Tim Ross and David Gordois, ; "uttering the C word - as in "choke"" George Kimball, ; "building momentum off three c-words: crowds showing up in bigger numbers than ever before, more cash in the bank than any other GOP candidate, and a confidence in the campaign strategy of turning out conservatives in Iowa and the South" NBC Nightly News , ; "Is Caitlyn the new c-word?

Paul Casey, ; "isn't that Italian "champagne"? The "C" word" Fiona Phillips, ; 'comradely': "an exceedingly rare [Tony] Blair use of the c-word" Andrew Rawnsley and Gaby Hinsliff, ; "'There are good comrades who have fallen,' he said, an exceptional use of the c-word from [Tony Blair]" Andrew Rawnsley, ; "conservation [ Mr Clinton had charisma" Patrick Barkham, ; 'Clinton': "I have that uneasy feeling that the C word has echoed behind me in the corridors of corporate America" Kathleen Deveny, ; 'coup': "In his only public statement since Mr.

Morsi's ouster, Mr. Carter" Mark Hosenball, ; "I would include Emanuelle And The Last Cannibals other than just, you know, because the title uses the c-word" Calum Waddell, ; "I don't want to use the 'C' word, chokers, so I am not going to" Commentatorballs , ; "[He] looked like someone who didn't even know what the C-word might be. The revue show The C Word revolved around three c-words: 'comedy', 'clits', and 'cake'. Mark Mason's novel The C Words discusses 'commitment', 'coupledom', and 'children'. Grace Chin wrote a play about commitment titled The C-Word in There was even a c-word reference in a TV commercial for Phileas Fogg crisps :.

After it was reported that Donald Trump called a woman a word beginning with 'c' and ending with 't', Stephen Colbert misunderstood for comic effect: "He called her a cat?! The most frequent word, other than 'cunt', to be termed 'the c-word', is 'cancer': "The C-words Cancer and Comedy" Allen Klein, and "students talk about the Big C word. They don't mean Cancer. They mean Commitment" John Allen Lee, A cancer-awareness comedy event titled The 'C' Word was held in Toronto in Newspaper headlines often use the phrase 'the c-word' to pun on other contentious terms beginning with that letter: "the phrase 'the c-word' is sometimes deliberately used to mean something else, while exploiting the intertextuality of the original meaning" Ruth Wajnryb, ; for example The Guardian 's headline Kick-Ass 2 Star Chloe Moretz On Carrie, Controversy And Other C-Words Andrea Hubert, , in which Moretz compared the c-word in America and the UK: "cunt is a funny word.

It's a strong word, sure, but more so in America. In England it's just like any other curse word". The most common example of this is 'Christmas', which, like 'cancer', can be seen as an alternative 'c-word'. The headline Don't Mention The C-Word , for example, is about the removal of the word 'Christmas' from secular greetings cards. In the article, Richard Littlejohn asks, rhetorically: "Who, exactly, is offended by the C-word? He has fun inventing phrases such as "Father C-word", "C-word Eve", and "C-word Day", all attempts to highlight the absurdity of banning the word 'Christmas'.

Less festively, he also bemoans the culture of liberalism, 'political correctness', and ' Guardian istas' in other words, his usual targets , asking: "How on earth do you describe these New Scrooges? Difficult, I know. But try the other C-word". As if that wasn't enough, Littlejohn went on to essentially repeat himself two Christmases later, in another article also headlined Don't Mention The C Word "the dreaded C Word [ Tim Rider's article C-Word Ban was also about the contentiousness of 'Christmas': "They do not want any mention of what they call the C-Word because they are worried it will offend followers of other faiths" , as was the article Merry C-Word in Los Angeles Times , which urged readers to say 'Christmas' despite its controversy.

Yet another article, headlined Just Don't Mention The C-Word also concerned the festive season: "Ditch the dreams of a white Christmas", as did Jay Nordlinger's article December's C-Word "people could not bring themselves to utter the C-word", Cricket experts were aghast at the "inappropriate use of the c-word"", in a spoof article headlined Kevin Pietersen In C-Word Drama That final example, from The Sun 's coverage of a speech by Gordon Brown, also resulted in a Sun leader column headlined C Ironically, after David Cameron goaded Brown for not saying 'cuts', when Cameron himself became Prime Minister, he used the euphemism 'difficult decisions' to avoid saying 'cuts'.

The sheer extent of the 'cunt' lexicon supports Scott Capurro's assertion that it is "plainly the most versatile word in the English language" Capurro also notes the variety of reactions provoked by the word: "the reaction can be so varied. Some people will try to be smug about it and think, "Well, that does nothing for me". And the person sitting right next to that person could be completely moved by the word, emotionally drawn to somebody who uses that word, you know. And the person sitting next to that person could be someone who's completely disgusted by it.

It's one of those great words that can get many, many different reactions from people. This ideology, which was originally termed cunt-power, sought to invert the word's injurious potential - to prevent men using it as a misogynist insult, women assertively employed it themselves: "The old cunt was patriarchal, misogynist. The new cunt would be matriarchal, feminist" Peter Silverton, The feminist Cunt-Art movement incorporated the word into paintings and performances, and several female writers have campaigned for its transvaluation. In my evaluation of the ideology of cunt-power, I discuss the extent of its practicality, popularity, and longevity.

However, words do hurt us, and they can be used as weapons. Walter Kirn has called 'cunt' "the A-bomb of the English language [ Verbal weapons cause intense emotional pain. GQ has noted that "No word is more hurtful or destructive than the C-word" Catherine MacKinnon cites numerous examples of abusive language provoking distress and resulting in litigation. Asserting that "A woman worker who was referred to by a [presumed male] co-worker as a 'cunt' could present a strong case for sexual harassment" , she quotes "Cavern Cunt", "stupid cunt", "fucking cunt", and "repeated use of the word 'cunt'" as phrases resulting in convictions for sexual harassment.

Just as 'cunt' can be a violent word, its use can also have violent repercussions: it is "a word so offensive that it would earn you a slap if you called someone it in a bar" Adam Renton, By contrast, however, a more recent case was dismissed when it was ruled that the word 'cunt' did not constitute sexual harassment: the court concluded that the word, while being "one of the most derogatory terms for a woman", could also be regarded as complementary Kevin Vaughan, A female student at Colorado University had alleged that another student called her a 'cunt'.

Hoffman was ridiculed by the press, not least because the name of her university is commonly abbreviated to 'CU': "In CU President Betsy Hoffman's world [ When men use the word 'cunt' to insult women, courts have deemed the act to be unlawful. When men use it to insult other men, as Julia Penelope demonstrates, their usage is still inherently insulting to women: "[words] used by men to insult other men, motherfucker, son-of-a-bitch, bastard, sissy, and cunt insult men because they're female words" The other male insults cited by Penelope are also tangential insults to women: to call a man a 'motherfucker' implicates both him and his mother, 'bastard' implies a man's mother is a slut, 'sissy' insults a man by likening him to a woman, and 'son-of-a-bitch' can be seen as an indirect insult to a man though a direct insult to his mother.

He calls it "the four-letter word a man can use to destroy everything with a woman [ Kirn explains the offensiveness of 'cunt' with reference to its plosive phonetics and its semantic reductionism: "The word is an ugly sonic package, as compact as a stone [ It strips away any aura of uniqueness".

A character in the Hungarian film Taxidermia also notes the ugliness of the word, or rather its Hungarian equivalent.

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Somewhat insensitively, Kirn feels that women over-react to the word when it is used against them: "It doesn't bruise. It doesn't leave a mark. Yet women treat its deployment as tantamount to an act of nonphysical domestic violence". He also ignores the word's feminist reclamation, stating incorrectly: "you'll never hear someone call herself a cunt, let alone call another woman one. Essentially, Kirn's article is a macho defence of what he sees as the male privilege to call women cunts: "I'm grateful for the C-bomb, and thankful that women have nothing with which to match it.

When a man has already lost the argument and his girl is headed out the door [we] have one last, lethal grenade to throw". Unsurprisingly, women wrote to GQ to take issue with Kirn's article. Kim Andrew stressed that Kirn's definition of 'cunt' as "the A-bomb of the English language" does not apply to the UK, where it is used more freely than in America: "The word cunt is only an "A-bomb" in American English. M Restrepo's reaction was that, provided 'cunt' is not used insultingly as Kirn employs it , it should not be tabooed: "What era is Walter Kirn living in?

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Cunt is no longer taboo. In welcome contrast to Kirn's article, Jonathon Green criticises the inherent patriarchy of the slang lexicon: "Slang is the essence of 'man-made language', created by men and largely spoken by him too" This is a trend which has noticeably increased over time, as Germaine Greer explains: "The more body-hatred grows, so that the sexual function is hated and feared by those unable to renounce it, the more abusive terms we find in the language" [a].

Specifically, the status and deployment of 'cunt' as "The worst name anyone can be called [and] the most degrading epithet" Germaine Greer, [a] , and especially as the worst name a woman can be called, serves to reinforce the tradition of cultural patriarchy, as Jane Mills points out: "the use of 'cunt' as the worst swear word that anyone can think of says a great deal about misogyny in our society, and I think it reveals fear, disgust, and also [a] denial of female sexuality" Kerry Richardson, Joan Smith agrees: "It is impossible not to make a link, as lexicographers and feminist writers have done, between the [ Smith calls 'cunt' "the worst possible thing - much worse than ['prick'] - one human being can say to another" and Simon Carr calls it "the worst thing you can say about anyone" As Deborah Cameron notes, "taboo words tend to refer to women's bodies rather than men's.

Thus for example cunt is a more strongly tabooed word than prick, and has more tabooed synonyms" Jonathon Green concurs that "the slang terms for the vagina outstrip any rivals, and certainly those for the penis [ William Leith notes that "We may have equality of the sexes but we do not have equality of sexual organs [ I can print the words prick, cock and dick as much as I like", adding coyly: "but I know I have to be careful with the c-word" Ed Vulliamy makes the same point: "the c-word is different.

The inequality of 'prick' and 'cunt' is also explored in the HBO series Curb Your Enthusiasm David Steinberg, , after the central character uses 'cunt' as an insult towards another man:. So what! Pricks and cunts, they're equal. Cunt's much heavier. According to Brigid McConville and John Shearlaw, 'cunt' "reflects the deep fear and hatred of the female by the male in our culture.

It is a far nastier and more violent insult than 'prick' which tends to mean foolish rather than evil. This violent usage is a constant and disturbing reminder to women of the hatred associated with female sexuality and leaves women with few positive words to name their own organs" The 'cunt' taboo is but the most extreme example of a general taboo surrounding the lexicon of the female genitals: "Mild, non-specific [ The word 'vagina' is also subject to this taboo: "Even the word vagina has not easily entered public space".

Braun and Wilkinson cite examples of the term being banned from billboards "the London Underground banned a birth control advertisement - deeming it 'offensive' for including the word 'vagina'" and theatrical posters "Promotional material for theatrical pieces whose titles contained the word vagina has been censored [ Indeed, after surveying women's own attitudes, Sophie Laws discovered that they even felt obligated to self-censor their own discourse: "[women do not] refer to their sexual and reproductive organs in any way except in the most private of interactions" Virginia Braun and Celia Kitzinger published a 'survey of surveys', revealing the extent to which 'vagina' is a tabooed word: "Many people appear to consider women's genitalia to be unmentionable.

The German equivalent is even more demeaning: 'Schamscheide' 'vagina' translates literally as 'sheath of shame'. Word-meanings are dictated by consensus and contemporary usage, thus negative meanings can be reversed when pejorative terms are systematically reappropriated: "There have been several recent instances of a particular group explicitly reclaiming a taboo word previously used against them" Susie Dent, Melinda Yuen-Ching Chen and Robin Brontsema have both described the specific reappropriation of 'queer', though they also discuss the concept of reappropriation in general.

Brontsema provides a succinct definition of the terminology: "Linguistic reclamation, also known as linguistic resignification or reappropriation, refers to the appropriation of a pejorative epithet by its target s " He views the process as a harnessing and reversal of the original invective: "[the] injurious power is the same fuel that feeds the fire of its counter-appropriation.

Laying claim to the forbidden, the word as weapon is taken up and taken back by those it seeks to shackle - a self-emancipation that defies hegemonic linguistic ownership and the a buse of power". Chen defines reclamation as "an array of theoretical and conventional interpretations of both linguistic and non-linguistic collective acts in which a derogatory sign or signifier is consciously employed by the 'original' target of the derogation, often in a positive or oppositional sense" The focus here is primarily on feminist reappropriations, specifically on feminist attempts to reclaim 'cunt' and other abusive terms: "Girls and women can thus reclaim the words in our language that have been used against us" Gloria Bertonis, The mainstream success of reappropriations, however, depend upon the consensus of the population as a whole: "you cannot demand the word ['cunt'] be used only as a hallelujah to the flower of your womanhood; like all words, its meaning had been decided through collective use" Andrew Billen, The commonest derogative term for a woman - 'bitch' - is on the road to reclamation.

A woman should be proud to declare she is a Bitch, because Bitch is Beautiful. It should be an act of affirmation by self and not negation by others" Casey Miller and Kate Smith discuss this transvaluation of 'bitch' and also cite "Groups of feminists who choose to call themselves witches [ Other formerly derogatory terms for women have also been reclaimed: "The feminist spirit has reclaimed some words with defiance and humor.

Witch, bitch, dyke, and other formerly pejorative epithets turned up in the brave names of small feminist groups" Gloria Steinem, Mary Daly has attempted to reverse the negative associations of words such as 'spinster', 'witch', 'harpy', 'hag', and 'crone'. Where she is able to demonstrate non-pejorative etymological origins of these terms, she advocates a reversal of their current definitions.

Daly does readily admit that not every modern negative term was originally positive 'crone', for example, has always implied old age , though in these cases she assert that negative connotations are a patriarchal perception: "ageism is a feature of phallic society. For women who have transvalued this, a Crone is one who should be an example of strength, courage and wisdom" In an episode of the sitcom Veep , 'crone' is confused with the c-word: "I called the president the c-word I was like, 'What an old crone!

Regularly used as a pejorative term [ As Roz Wobarsht wrote in a letter to the feminist magazine Ms : "I think a female's use of words abusive to females defuses them. Our use takes away the power of the words to damage us" Jane Mills adds that "crumpet has recently been appropriated by women to refer to men [and] women today are making a conscious attempt to reform the English language [including] the reclamation and rehabilitation of words and meanings" Maureen Dowd notes the "different coloration" of 'pimp' and charts the transition of 'girl' "from an insult in early feminist days to a word embraced by young women".

A less likely pioneer of reclamation is the self-styled 'battle-axe' Christine Hamilton, though her celebratory Book Of British Battle-Axes nevertheless marked a re-evaluation of the term. Julie Bindel cites 'bird' and 'ho' as "blatant insults [ Patrick Strudwick praises Bint Magazine for "reclaiming the term "bint" from the huge slag heap of misogynist smears and turning it into something fabulous" The offensive term 'slut' has also been reclaimed as an epithet of empowerment: Kate Spicer suggests that 'slut' is "a term of abuse that has been redefined by fashion to mean something cool [ In the s, Katharine Whitehorn famously used her column in The Observer to self-identify as a 'slut', using the term in its original sense meaning a slovenly woman.

In , Bea Miller released the song S. In , the campaigning group SlutWalk Toronto organised a series of 'slutwalks' - demonstrations in which women marched while wearing sexually-provocative clothing and holding banners reappropriating the word 'slut'. The SlutWalk campaign provoked considerable feminist debate, with Gail Dines and Wendy J Murphy arguing that the protesters were fighting a lost cause: "The organisers claim that celebrating the word "slut", and promoting sluttishness in general, will help women achieve full autonomy over their sexuality.

But the focus on "reclaiming" the word slut fails to address the real issue. The word is so saturated with the ideology that female sexual energy deserves punishment that trying to change its meaning is a waste of precious feminist resources" Germaine Greer was more enthusiastic about the SlutWalk phenomenon, though she cautioned that "It's difficult, probably impossible, to reclaim a word that has always been an insult" and she should know.

Here, the principal is the same as that pioneered by Madonna: sexual aggression, feared by men and characterised by them in disrespectful terms such as 'slut', can be redefined as an assertive and positive attribute. It is not simply the word 'slut' that is being redefined, it is the lifestyle that the word represents - the meaning of the term 'slut' has stayed the same, though the cultural acceptance of its characteristics has increased.

As Chinese is a tonal language, the same word can have multiple meanings depending on its pronunciation; this has been used subversively by women to reappropriate the pejorative term 'shengnu' 'leftover women' , which can also mean 'victorious women' when pronouced with a different tone. This "pun that turns the tables on the prejudicial description" gained popularity following the television series The Price Of Being A Victorious Woman Tatlow, [a]. It is important to note the distinction between changing a word's definition and changing its connotation.

Women have sought not to change the definitions of for example 'cunt' or 'slut', but instead to alter the cultural connotations of the terms. Thus, the reclaimed word 'cunt' is still defined as 'vagina' and the reclaimed 'slut' still means 'sexual predator'. What have been reclaimed are the social attitudes towards the concepts of vaginas and sexual predators: whereas these once attracted negative connotations, they have been transvalued into positive concepts. In a sense, this is true of a large number of terms which are regarded as positive by some yet as negative by others: for example, 'liberal' is used as an insult by conservatives, and 'conservative' is used as an insult by liberals.

Salman Rushdie gives examples of older political terms which have also been reclaimed: "To turn insults into strengths, Whigs [and] Tories [both] chose to wear with pride the names they were given in scorn" Also, in Thailand, poor farmers protesting against the aristocratic political system wore t-shirts with the word 'prai' 'commoner' as a symbol of pride, in "a brilliant subversion of a word that these days has insulting connotations" Banyan, After Republicans derided Barack Obama's Patient Protection and Affordable Care Act as 'Obamacare', Obama himself began using this more concise though originally derogatory term, professing that he liked it.

Richard Herring notes the paradox that, while the vagina should be celebrated, 'cunt' is an inexplicably offensive term: "it describes quite a nice thing. If you give words the power then they are nasty.